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James A. Harrison and Emily Harrison

Anne of Avonlea

James A. Harrison and Emily Harrison’s marriage is shaped by a clash over domestic habits, manners, and the right to change one another. Their separation begins with an ultimatum over James’s parrot, Ginger, but the eventual reunion depends on a more mutual recognition: James sees that he had not been considerate, while Emily acknowledges that she expected too much and had been hasty. Their story turns a household quarrel into a portrait of how grievance can harden into distance—and how both partners can reconsider their share of it.

Marriage and Everyday Friction

James recalls that Emily began cleaning their home almost immediately after arriving there as his wife. She worked late into the night and resumed early in the morning, making housework a constant occupation. He could have accepted her intense cleaning if it had remained her own preference; instead, he felt that she was trying to remake him. He had to change his boots for slippers at the door, smoke only in the barn, and endure correction of his grammar and table manners. Emily had been a schoolteacher, and James thought she never stopped correcting him.

His account presents the discord as reciprocal rather than entirely Emily’s fault. He admits that he became cranky and disagreeable when she criticized him, and that he did not try to improve as he might have. In one argument, he answered her complaints about his grammar by saying she had not objected to it when he proposed. He recognizes that this was tactless. The detail matters: both treated everyday habits as evidence against the other, while James’s recollection eventually makes room for self-criticism alongside his frustration.

Ginger became the point at which the accumulated irritations broke into a decisive conflict. James was attached to the parrot because his sailor brother, a childhood favorite, had sent the bird to him while dying. Emily disliked parrots and could not tolerate Ginger’s profanity. James distinguished the parrot’s repetition from human swearing, arguing that Ginger did not understand the words he mimicked. Emily tried to stop the bird, just as she tried to correct James’s speech, but, in James’s telling, both efforts seemed only to make the offending habits more conspicuous. The parrot thus came to stand at the center of a disagreement about whether affection could make room for what one partner found unacceptable.

The Ultimatum and Separation

The crisis arrived during a tea to which Emily had invited their minister, his wife, and another visiting minister and his wife. James had promised to put Ginger somewhere safe, away from the guests, but forgot. As the first minister was saying grace, the parrot, outside the dining-room window on the veranda, saw a gobbler in the yard and launched into the speech for which it was notorious. James was mortified, as was Emily. He carried Ginger to the barn, then spent the rest of the meal anticipating trouble.

After the guests left, James thought about Emily’s embarrassment and wondered whether the ministers would assume Ginger had learned his vocabulary from him. He decided that the bird would have to be disposed of. But when he returned from the cow pasture, Emily was gone, and a letter on the table told him that she had returned to her own house and would stay there until he got rid of Ginger. The letter made the choice explicit: she would not live with the parrot.

James responded in anger, insisting that Emily could stay away indefinitely rather than expect him to give up Ginger. He packed her belongings and sent them after her. Their separation became public talk in Scottsford, where people sympathized with Emily. James says the gossip and his own continuing resentment made him feel he had to leave if he wanted peace. He moved to the Island, a place he had liked since visiting as a boy, partly because Emily had said she would never live somewhere people feared they might walk off the edge after dark. He admits that contrariness influenced the move. The geographic distance therefore grew out of the same conflict that had governed life in the home: each remained fixed in opposition to the other.

Return and Reconciliation

James says he heard nothing from or about Emily until he came home from the back field one Saturday and found her scrubbing the floor. A decent dinner was already prepared. Emily told him to eat first and then they would talk; James took this as a sign that she had learned something about getting along with a man. He also notes the changed circumstances plainly: Ginger was dead, and the Island was larger than Emily had imagined. The account does not turn their reunion into a detailed settlement of every old grievance, but it marks a return to shared life: Emily had come back, and, as James says, she was going to stay.

Emily’s own account gives the reconciliation a different emphasis. She says that James told their story truthfully, but that the blame was not all his. She had wished she had not acted so hastily almost as soon as she returned to her own house, yet pride kept her from yielding. Looking back, she sees that she expected too much of a man and was foolish to make his grammar a serious complaint. Her measure of a good husband is practical and personal: James provides well and does not inspect the pantry to calculate how much sugar she has used. Where James’s telling stresses his affection for Ginger and the pressure of Emily’s criticism, Emily’s stresses her own mistaken expectations and belated appreciation of what matters to her in their life together.

The Story’s Shared Perspective

Neither account makes reconciliation depend on declaring one spouse wholly right. James describes Emily’s relentless corrections, but acknowledges his own cantankerous response; Emily rejects an allocation of blame that falls entirely on him and identifies her own haste. Their separate admissions give the marriage’s repair a reciprocal shape. Emily returns with dinner ready, while James’s reflection after the ministers’ visit had already turned toward her embarrassment and his possible lack of thoughtfulness. The reunion becomes possible not because their temperaments are shown to have changed completely, but because each can recognize a limit in the case they once made against the other.

The story also places their private reconciliation within Avonlea’s social world. Rachel Lynde is with Emily when James points out her arrival, and Emily welcomes Anne Shirley as a new neighbor, praising James for telling her how kindly Anne had treated him. Later, crossing the fields with Anne in the June dusk, Emily confirms that she has heard James’s version and offers her own. Anne keeps her counsel about the foolish notes whose far-reaching consequences helped reconcile the couple and establish the reputation of a prophet. Emily never learns that her gratitude reached its object. That quiet concealment gives the reunion an indirect narrative path: the couple’s account of their marriage is spoken openly between them, while an outside influence remains unknown to Emily. Their restored life is not presented as proof that the old conflict never mattered; it is the consequence of seeing it more fairly, from both sides.